Inspired by the H.P. Lovecraft story “The Colour Out of Space,” Color Out of Space tells the story of the Gardner Family. They live in a remote house in the middle of the woods. Mother Theresa has cancer and everyone is struggling to cope. Then, a mysterious object falls from the sky, changing their lives forever. The town refuses to investigate the crash and son Jack is feeling unwell after the crash.
The Love Witch is one of the most beautiful horror films ever made. Writer/director/producer/editor/composer/costume designer/set designer/art director Anna Biller crafts one of the most stylized horror films of all time. No detail is too small to be just good enough and nothing that appears onscreen is not significant to the story being told. This is auteur cinema at its finest.
Horror Noire: A History of Black Horror is a documentary about the role of black creators, artists, and audiences in the development of American horror cinema. It is adapted from the incredible book of the same name by Robin R. Means Coleman by director Xavier Burgen and screenwriters Ashlee Blackwell and Danielle Burrows.
Something strange is happening at the Morningside Cemetery. We witness a ritual sacrifice right by the chapel, though the death is reported as a death by suicide. Now a strange cloaked figure is sneaking around in the corner of everyone’s eyes and whispers fill the halls of the funeral home, church, and mausoleum.
Donkey Punch is like a grotesque Agatha Christie mystery. You don’t know who will get popped off next, and you don’t know how it will go down. Donkey Punch even features one disturbing and unbelievable kill I’ve never seen in decades of consuming slashers like air. It’s And Then There Were None on steroids, only set in the same universe as Dead Calm.
